How to Build Drum Speed, Part 3: Hand Speed

According to the Drumming System (affiliate link), a drum pad is only one surface with one feel. It’s a bouncy type feel that’s great for practicing. On the other hand, a drum set has many surfaces with many types of feels. Speed will allow to move your ideas around the drums with much more ease.

  1. Your drums and cymbals should be within easy reach so that you can get to where you need to get really fast. This will constantly change with time, but you want to make as easy as possible.
  2. Practice moving around the kit as fast as you can with a single stroke roll. Do this until your arms are tired. Try to go for five minutes and you will be sweating. Try to keep an eye on where you’re going so you’re not hitting rims. Ask yourself questions, such as  “where am i hitting?” and  “where i am i going?”
  3. At midnight, when everyone is sleeping, air drum AS LOUD AS YOU CAN. This strengthens you wrists. Remember that if you hit your drums you will wake people up. This is a good warm up, too.
  4. Try to play a single stroke roll on you floor tom only holding the middle of the drum stick. Not only does it feel awkward but you have no convincing balance point. Also, practice using the lock grip in the middle of the floor tom. If you have a high pitched floor tom, detune it low (before it loses its tone) so its soggy.
  5. Finally, practice playing double stroke rolls on your floor tom.

The Drumming System (affiliate link) goes into much more depth about how to improve your speed. This is one subject that most drummers from around the world are very interested in. As with everything in drumming and in life, patience and perseverance go a long way.

How to Build Drum Speed, Part 1: Hand Speed

Building drum speed is one of the top priorities of most drummers in the world. Playing faster is part of the fun in developing yourself as a drummer. Check out an impressive demonstration of hand speed and some great exercises to build it in the Mike Michalkow’s Complete Drumming System (affiliate link).

Here are some tips:

  1. Even out your hands. We all have a stronger hand. Whatever you can do with your strong hand you should be able to do with your weak hand. Keep in mind that the hand that usually plays the hi-hat and ride is getting so much more practice than the hand that plays the snare. Practice open handed playing. Open handed playing usually means that the left hand plays the hi hat (for right handed players). Check out the book The Weaker Side (affiliate link) by Dom Famularo and Stephane Chamberland and The New Breed (affiliate link) by Gary Chester.
  2. Set a goal. For most hand speed goals that you set, the weaker hand is going to need to get stronger. It might be necessary to isolate the weaker hand and work on it. Increase the tempo in small increments. Keep in mind that certain techniques might take months (or years) to improve. Be patient and trust that it will get easier. If you can play 16th notes at 110 on each hand, then you can play 32nd note singles at 220 bpm. I recently set a goal of playing the Moeller technique relaxed with sixteenth notes, at 120 bpm for five minutes straight with each hand.
  3. Practice on drum pads that give very little rebound. Putty practice pads and Moongel Workout Pads (affiliate link) have become popular in the past decade. Mike claims that he put a putty practice pad on the left side of his dashboard and would tap the left stick while driving. Although this is an excellent use of time management, it does not seem to be safe. Don’t drive and drum.